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In addition to appearing on “A Prairie Home Companion” with Garrison Keillor, I enjoy working as a voice talent for television and radio ads. In this video, I am the voiceover narrator for Vitamin Water’s television commercial: “Steve Nash is the Most Ridiculous Man in the World.” This TV spot has been quite popular on YouTube. This was a voice-over job done through the Vox Talent Agency in LA. Steve Nash is the greatest.
These are my predictions for the Academy Awards 2010, as Entertainment Editor for WCCO Radio I see over 120 films a year. this was a very good year at the movies, congratulations to all the nominees. These predictions may explain my lack of success at cards and horse races but, here we go.
Actor in a Leading Role
At first I thought George Clooney had the edge on this one but as the award season rolled on I thought Jeff Bridges moved ahead and, after seeing “Crazy Heart”, I have to say it’s Jeff Bridges Turn to take the Oscar.
Jeff Bridges in “Crazy Heart”
George Clooney in “Up in the Air”
Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”
Actor in a Supporting Role
This is a total lock for Christoph Waltz. He was phenomenal as the SS Colonel, Hans Landa. I must say all the others in this category were Oscar worthy this year, but it’s a “waltz” for Waltz.
Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
Christoph Waltz in “Inglourious Basterds”
Actress in a Leading Role
Early in the year my favorite here was Gabourey Sidibe , then Meryl Streep’s turn as Julia Child was so nuanced, I thought, nope it’s time for Meryl to collect number 3, then Sandra Bullock started winning every award and is now the front runner. I’m going out on a limb and predict a win for for my close personal friend (at least in my eyes) Meryl.
Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
Meryl Streep in “Julie & Julia”
Actress in a Supporting Role
This is another easy pick; Monique had one of the most powerful performances of the year in “Precious” and will easily win here.
Penélope Cruz in “Nine”
Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
Anna Kendrick in “Up in the Air”
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”
Directing
A battle of the former spouses here, James Cameron and Kathryn Bigelow were married between 1989 and 1991, and amicably divorced. I think Kathryn will become the first woman to win Best Director.
“Avatar” James Cameron
“The Hurt Locker” Kathryn Bigelow
“Inglourious Basterds” Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
“Up in the Air” Jason Reitman
Best Picture
“Avatar” is the most successful film of all time, but I think that James Cameron will have to be satisfied with that and the Oscar goes to “The Hurt Locker”.
“Avatar” James Cameron and Jon Landau, Producers
“The Blind Side” Gil Netter, Andrew A. Kosove and Broderick Johnson, Producers
“District 9” Peter Jackson and Carolynne Cunningham, Producers
“An Education” Finola Dwyer and Amanda Posey, Producers
“The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers
“Inglourious Basterds” Lawrence Bender, Producer
“Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
“A Serious Man” Joel Coen and Ethan Coen, Producers
“Up” Jonas Rivera, Producer
“Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Writing (Original Screenplay)
This is a battle between “The Hurt Locker” and the Twin Cities own Coen Brothers “A Serious Man”, with the darkhorse beinganother Minnesotan, Bloomington’s Pete Doctor for “Up”. I’m going to give this one to the Coen Brothers, not only for the complex, funny, multilayered script, but for the wisdom to create the character “Detective #1″, undoubtedly the only time I willappear in an Oscar Best Picture nominated film, thank you boys.
“The Hurt Locker” Written by Mark Boal
“Inglourious Basterds” Written by Quentin Tarantino
“The Messenger” Written by Alessandro Camon & Oren Moverman
“A Serious Man” Written by Joel Coen & Ethan Coen
“Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
Writing (Adapted Screenplay)
I would love to see “In the Loop” get this one. It’s a very funny acid tongued look at the back stabbing world of politics, but this will go to “Up in the Air”.
“District 9” Written by Neill Blomkamp and Terri Tatchell
“An Education” Screenplay by Nick Hornby
“In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
“Up in the Air” Screenplay by Jason Reitman and Sheldon Turner
Animated Feature Film
Local boy Pete Doctor worked wonders with “Up”. The 4 minute segment detailing the romance between the Balloon Salesman and his wife was one of the most emotional uses of cinema that I can remember. “Up” takes the prize.
“Coraline” Henry Selick
“Fantastic Mr. Fox” Wes Anderson
“The Princess and the Frog” John Musker and Ron Clements
“The Secret of Kells” Tomm Moore
“Up” Pete Docter
Art Direction
Avatar blew my mind, unquestionably the best in art direction, in 2D or 3D.
“Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
Cinematography
It’s a battle between “Avatar” and “The Hurt Locker” with “The White Ribbon” ( shot in black and white) as a strong contender, but I think Hollywood will stick with “Avatar”.
“Avatar” Mauro Fiore
“Harry Potter and the Half-Blood Prince” Bruno Delbonnel
“The Hurt Locker” Barry Ackroyd
“Inglourious Basterds” Robert Richardson
“The White Ribbon” Christian Berger
Costume Design
I’m going to go with the local connection. Bill Pohlad’s new company, Apparition, distributed “Bright Star” and though “Nine” and “Coco Before Chanel” had all the glitz, I’ll pick “Bright Star”.
“Bright Star” Janet Patterson
“Coco before Chanel” Catherine Leterrier
“The Imaginarium of Doctor Parnassus” Monique Prudhomme
“Nine” Colleen Atwood
“The Young Victoria” Sandy Powell
Documentary (Feature)
This is another chance for Bill Pohlad, his company distributed “Food Inc”, and I think it will take the prize, even though the film put me off fried chicken for a few weeks.
“Burma VJ” Anders Østergaard and Lise Lense-Møller
“The Cove” Louie Psihoyos and Fisher Stevens
“Food, Inc.” Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
“Which Way Home” Rebecca Cammisa
Documentary (Short Subject)
I have no idea, what’s your guess?
“China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
“Music by Prudence” Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” Bartek Konopka and Anna Wydra
Film Editing
Let’s go with the local guy, Stephen Rivkin, St. Louis Park, wins for “Avatar”.
“Avatar” Stephen Rivkin, John Refoua and James Cameron
“District 9” Julian Clarke
“The Hurt Locker” Bob Murawski and Chris Innis
“Inglourious Basterds” Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz
Foreign Language Film
“White Ribbon” was a big winner all year long starting with the grand prize at The Cannes Film Festival. It’s a powerful metaphor for the unsettling calm before the storm that became World War I, I predict it will take the Oscar.
“Ajami” Israel
“The Milk of Sorrow (La Teta Asustada)” Peru
“A Prophet (Un Prophète)” France
“The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
“The White Ribbon (Das Weisse Band)” Germany
Makeup
“Star Trek” deserved more than a best makeup nomination, like a best picture nomination would’ve been nice, so let’s throw it a bone here.
“Il Divo” Aldo Signoretti and Vittorio Sodano
“Star Trek” Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” Jon Henry Gordon and Jenny Shircore
Music (Original Score)
Another win for “Avatar” here, the academy loves them some James Horner.
“Avatar” James Horner
“Fantastic Mr. Fox” Alexandre Desplat
“The Hurt Locker” Marco Beltrami and Buck Sanders
“Sherlock Holmes” Hans Zimmer
“Up” Michael Giacchino
Music (Original Song)
“The Weary Kind” is certainly the most commercial option here, and though the Oscar voters sometimes surprise us ( “It’s Hard Out Here For a Pimp”anyone?), I think Ryan Bingham and T Bone Burnett will be happy.
“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett
Short Film (Animated)
I hope to see this collection before the Oscars, but until then this is another category where I have no idea. Beuller? Anyone?
?“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park
Short Film (Live Action)
Ditto. No idea.
“The Door” Juanita Wilson and James Flynn
“Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
“Kavi” Gregg Helvey
“Miracle Fish” Luke Doolan and Drew Bailey
“The New Tenants” Joachim Back and Tivi Magnusson
Sound Editing
Here’s another technical award for “Avatar”.
“Avatar” Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” Paul N.J. Ottosson
“Inglourious Basterds” Wylie Stateman
“Star Trek” Mark Stoeckinger and Alan Rankin
“Up” Michael Silvers and Tom Myers
Sound Mixing
It’s another Oscar for “Avatar”.
“Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson
Visual Effects
It’s one more for “Avatar”
“Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
The Oscars will be broadcast on March 7th. I hope you’ll follow all of my Oscar commentary on “The Morning News with Dave Lee” every weekday morning on WCCO-AM, and on the web at WCCORADIO.COM/morningnews. Follow my tweets at Twitter.com/830wcco or Twitter.com/radiotimrussell
Plus My Meryl Streep Moment
My day job is Entertainment Editor for CBS owned WCCO Radio (am830) in Minneapolis, which means I see over 120 films a year and talk about them on “The Morning News With Dave Lee”, every Monday through Friday, twice an hour, from 5 to 9 am Central, you can stream us live at wccoradio.com. I review TV shows and theatrical productions, but my passion is the Cinema.
I think it’s impossible to list the top 10 films when you see that many movies in any given year: so many great foreign films, so many fine documentaries, so many brilliant small independent films that people will never get a chance to see without a DVD release, but nevertheless, I’ve put together a top 10 list with the addition of some Honorable Mentions.
All things considered, I would have to put “Up in The Air” as the best film of the year, for timeliness; the story of an agent of downsizing, George Clooney, a road warrior, has it all, humor, great acting from Clooney, Vera Farmiga, and Anna Kendrick.
At Number 2 it’s the Coen Brothers very personal remembrance of St. Louis Park’s Jewish Community circa 1967, “A Serious Man”. It’s entertaining, darkly humorous, and provocative, in the way it will have you discussing the meaning of it all, and well acted by a brilliant cast of character actors. I say this in spite of the fact that my appearance as “Detective 1″ could have sabotaged the whole project.
Number 3 on my list would be the latest from Pixar, “Up”. It’s a touching , entertaining film for the whole family, with an animated four minute segment at the beginning of the film that illustrates the love story between the Balloons Salesman, voiced by Ed Asner, and his life long love, that moved me more than any other movie moment this year.
Number 4 is “Precious”, not the feel-good movie of the year, but a reminder of the power of the human spirit in overcoming monumental obstacles. Gaborey Sidibe is amazing as Precious, an possible Oscar winning performance from a novice actor. Monique, the comedian, is anything but comedic in her turn as Precious’ disturbingly evil mother, another sure to be Oscar nominee.
Number 5 goes to a comedy, “The Hangover”, a very funny “R” rated; bad things can happen in Vegas story, with brilliant timing from a talented cast including “The Office’s” Ed Helms, Zach Galifianikis, and Bradley Cooper.
Number 6 is a little seen British film called “In the Loop”, a brilliant script involving backroom shenanigans between the Brits and the U.S. in the run up to the Iraqi invasion. It’s an acid tongued mashup of TV’s “The Office” and “The West Wing”.
“Star Trek”, from J.J. Abrams, is my number 7 pick. It’s a great “re-imagining” of the “Star Trek” franchise with a clever story line and fine special effects. It says a lot that you don’t have to be a Trekkie to enjoy this one, a credit to the talented cast and director.
At number 8, “The Hurt Locker” from director Katherine Bigelow. This is perhaps the best war movie I’ve ever seen. Jeremy Renner is a revelation as an IED bomb detonation expert. He’s fearless and unpredictable, and the combat footage is amazingly effective.
Number 9 goes to “Avatar”, not because of the storyline which has been done before; a mighty power trying to eliminate an indigenous population (the Nav’i) in a quest for a rare commodity, but because of the 3-D “performance capture acting” and imaginative world that James Cameron creates. You’ve never seen anything like these visuals before.
My number 10 film of the year is Disney’s “The Princess and the Frog”, a hand drawn 3D animation, in the classic Disney style the captures the sights an sound of New Orleans and the Cajun Bayou backwaters in a funny, raucous, toe-tapping fairytale that all ages will appreciate.
Honorable mentions go to:
“Julie and Julia”. Meryl Streep should get an Oscar nod for bringing Julia Child back to life. Her stunning portrayal, and touching love story with her acting partner Stanley Tucci, as Julia’s husband, makes this film a delight for foodies and non-foodies alike. On a personal note, I bumped into Meryl as she was getting into her limo outside of the ABC “Good Morning America” studios. I was coming out of the Deli across from the hotel where we were stranded after the big Northeast Blizzard of ‘09. She had just entered the back passenger seat, so I walked up and waved at the tinted window. I could see a had waving back, she lowered the window, having remembered, evidently, the time we spent together on the 2006 Robert Altman film, “A Prairie Home Companion”. She was aware that we had just finished our New York run of Garrison Keillor’s show at The Town Hall, and I complimented her on her latest acting triumph, “It’s Complicated”, and her amazing turn as Julia Child in “Julie and Julia”, giving the latter nod with my own impression of the late , very imitable, “French Chef”, and with a buoyant laugh, shw was of to her next interview.
“This is It”, the documentary of Michael Jackson’s preparation for what was to be his final tour, is a thrilling reminder of what and amazing talent, personal issues aside, Jackson was. He’s in charge, in command, and totally engaged in what would have been the concert of the decade. We see, in the rehearsal footage, that as a live performer, he’s was gracious, generous, and in fine form, even just days before his death.
I really enjoyed the documentary “It Might Get Loud” from Oscar winning film maker ( “An Inconvenient Truth”) Davis Guggenheim. This is a story about three legendary guitarists and their love affair with the guitar. Jimmy Page from Led Zeppelin, The Edge from U2, and Jack White from The White Stripes are all featured in archival footage, and together, jamming with their beloved guitars.
“Paranormal Activity” deserves credit for moving the Horror Genre back from torture porn (the Saw franchise) to a very real fear of the unknown. The hyper-realistic home video style, with two unknown actors, gives you a visceral reaction to things that go bump in the night.
For a similar reason I think “District 9″ was one of the most effective movies of the year. An unknown South African cast and great special effects give this reminder of the dangers of Segregation a power that stays with you long after leaving the theater. Hats off to first time director Neill Blomkamp.
And finally, a nod to local filmmaker Patrick Coyle whose award winning “Into Temptation” did sold out Box Office business in the Twin Cities, where it was filmed last year. Great script and performances by Jeremy Sisto as a priest in crisis mode, and Kristin Chenowith as a troubled prostitute. It’s well worth a look on DVD.
Thanks for tuning into “The Morning News with Dave Lee” for my entertainment reports, I look forward to your next visit in 2010.
Tim Russell and Norah Jones
Tim Russell and Sue Scott were joined by Norah Jones and Martin Sheen, along with singer Madeleine Peyroux, this week on Garrison Keillor’s “A Prairie Home Companion” at The Town Hall on W. 43rd in Times Square in New York City. The “Blizzard of 09″ hit just after the show, stranding the us in the city for an extra two days. There are worse places to be stranded. Here’s Tim’s video of the weekend, including an interview with Norah and Martin.
In the Voice-over world there has been a constant evolution of ways to display your talents for potential clients. Reel to Reel demos in the 60’s became cassettes in the 70’s and eventually morphed into digital demos, like mp3’s, most recently. Tim and Sue decided to highlight their animation voices and the many voices they’ve created for Radio, Television, and movies, as well as Garrison Keillor’s “A Prairie Home Companion”, with a new “Video” Audio Demo, that they be passing along to Ad Agencies, and casting agents for their consideration. Please enjoy and share.
There’s a new Behind the Scenes Featurette on the making of the new Coen Brothers’ movie “A Serious Man.” For some reason, my scene as “Detective #1″ is featured at the 1:52 to 2:08 mark of the 3 minute, 21 second video. I had no idea they were filming it that day, but it’s fun to see the scene from a “behind-the-scenes perspective.” Check it out, but, more importantly, go see this very funny film.
Tim Russell as "Detective 1" in the film "A Serious Man" by Joel and Ethan Coen
Be sure to see the new Coen Brothers movie, “A Serious Man”. It’s very provocative and FUNNY, real Oscar material, in spite of my appearance as “Detective 1.” I show up at Larry Gopnick’s (the lead character) door a little over an hour into the film, with a warning about his brother’s illegal activities.
This past weekend Harry Smith of the CBS “Early Morning Show” joined the “Royal Academy Of Radio Acting” for a night. He performed flawlessly in “The Lives of the Cowboys”, even warbling a cowboy tune. He also negotiated through a script replete with tongue twisters and the word Piscacadawadaquadimoggin.
Why would he subject himself to such treatment? It fulfills an opportunity to check off an item on a “Bucket List” of dream jobs he created for the “Early Morning Show”. His adventure will be told on that CBS show Thursday morning, October 29th.
Harry was a great guest and his film crew and producer Eric couldn’t have been nicer.
We started a new season of “A Prairie Home Companion” this Saturday an amazing performance by Garrison Keillor. Just three weeks after suffering a “minor” stroke he was in charge and in control, both for the first show, and the street dance, which traditionally follows the opening show each season at the Fitzgerald Theater.
Sam Bush and his band, newcomer singer-songwriter Sarah Jarosz, and singers Andra Suchy and Connie Evingson all performed.
Later Saturday night, I attended the cast and crew screening of “ A Serious Man”, the newest Coen Brothers film opening next weekend. It is terrific, thought provoking, and hysterical at the same time. I predict a Best Picture nomination for the brothers again this year, in spite of my appearance in the film as “Detective#1”. (Watch for me at the :48 second mark in the movie’s trailer).
I introduced my self to Joel Coen and he was most gracious about my participation. Before the 9pm VIP screening I introduced Lucinda Williams, the head of the Minnesota Film and TV Board.
How lucky is it to have survived the cutting room floor in films by Robert Altman and the Coen Brothers?
We were joined by our old friend Martin Sheen for a couple of scripts in last Friday’s taping of “A Prairie Home Companion” at The Greek Theater in Griffith Park, Los Angeles. It was a great show musically with Sheryl Crow , her guitarist, and the The Guys All-Star Show Band, and k.d. lang and her talented band doing several numbers under a perfect full moon. You can listen to the whole show, or just the scripts by going to the Prairie Home.Org website and clicking on June 6th in the archives.
It was a magical night . Garrison Keillor had the crowd in the palm of his hand for the monologue and also did some great duets with special guest Heather Masse. Martin Sheen had such a fun time he will be joining us for the final show of the season on June 27 th at Tanglewood in Lenox, MA. That show will also feature Steve Martin and his Banjo, with selections from his just released album, “The Crow: New Songs for the Five-String Banjo”. Hopefully he’ll be coaxed into a Guy Noir script although he’s focusing more on music than comedy this month.
LA was in the throes of “June Gloom”, constant cloud cover and cool temperatures, but the weather was perfect on Friday night. Sue was joined by her husband Ron and connected with old friends, and Tim and his wife Judy discovered “In-n-Out Burger”, a god-send for late night dining. We also met with our LA agents from Vox, Inc., Wes Stevens,Tom Lawless and Jason Merrell and Curtis Hayes. Wes owns the agency and came to see the show on Friday night. Please contact them if you have any SAG or AFTRA voice work that you would like to have us do. Vox Inc, 5670 Wilshire Blvd. Ste. 82 , Los Angeles , CA 90036
Phone: (323) 655-8699
Fax: (323) 852-1472
Web: www.voxusa.net
Email: info@voxusa.ne
Hire nationally recognized voice talent, Tim Russell and Sue Scott, by contacting Amy Oppegaard of Wehmann Models and Talent, Inc. in Minneapolis at 612.333.6393.
LA representation: Contact Wes Stevens of VOX at 323.655.8699.
Listen to
Tim Russell’s voice-over demo.
Listen to
Sue Scott’s voice-over demo.
